I checked all the metal presets again and it’s definitely not going to make me give up my analog gear but there’s definitely some ok patches in there for recording so yeah I’m happy with that. There’s a couple of presets that almost sound good lol. It sounds a LOT better now after doing those two things though, thanks a lot. Additionally, it features a 24-bit/192kHz USB 2.0 stereo audio interface and preamps that allows convenient connection of a bass, guitar or any other instrument with a computer, without the need. It’s not bad though tbh, I can live with that. The Rig Kontrol 3 from Native Instruments is a foot controller that can be used to control nearly all of the GUITAR RIG 3 software sound parameters. There is still a bit of latency so I turned the buffer down although that hasn’t made a huge difference tbh. That was the direct monitoring which I managed to turn off in the same app…. But the group’s potent blend of crushingly heavy riffs and ethereal melodies (dubbed blackgaze for its. Deafheaven first broke on the San Francisco scene in 2010 with little more than an untitled demo tape recorded on borrowed equipment and an acoustic guitar.
The focusrite was indeed set to line so I changed that (so many of the problems I experience with music software can be traced back to that focusrite control app, I should really know this by now!) and this made it sound quite different so whatever that was doing was colouring it quite badly, good thinking….Īfter I did that I noticed a distinct clean sound coming through the headphones too, which would be the source of the phasing issues and would explain why it sounded better in ableton. Deafheaven guitarist Kerry McCoy shreds on his custom GUITAR RIG 6 presets.
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